Showing posts with label Bassline Circus. Show all posts
Showing posts with label Bassline Circus. Show all posts

Tuesday, 15 July 2014

Bassline Circus - Cabarave

Fusion Festival - Germany 27th - 29th June 2014

Fusion Festival in Northern Germany is predominantly techno and electronic music. This is delivered with the precision of; technology meets artisan workmanship, which the nation has become well known for. This is made complete by some of the finest European circus and dynamic set building available in the world today, as we know it.

The entire festival, situated on a retired Nazi spy air base, feels like a Utopian, future environment. As designed by a benevolent creator in order to provide purposefully engineered, audio-visual input to the human experience: Enough to kindle thoughtful and resourceful, creative output, without over-blowing the fragile circuitry of the human sensory system.

It genuinely feels like something important is happening here. This festival is the tip of the iceberg of a way of life. The ethos is for a better way of life. A commitment to a collective cause. The outcome being a catalytic event. Respecting a trade system therein, which supports the workmanship of those giving their time and skills to make it happen.

It is driven by a sense of dynamism and determination to give the best you can give, for the benefit of those around you and thus receive the same in return.

The endeavour is for progression and sustainability without waste and is entirely inclusive, so long as you are giving the best of yourself. Perhaps this is enhanced by the deutsche attitude for “vorsprung dutch technik” (translated: advancement through technology.) Or moreover the locale having emerged from prior Soviet rule and developing a culture for making the best of limited resources by necessity. But the pervading attitude is “what can I do for you?” as opposed to “what is this going to give me?” It’s breath of fresh air to say the least.

The outcome is the feeling of delight that comes from a sense of achievement. We are all owners of this event. We are making this happen together. There is a culture of hope, pride and of let’s keep going as long as we are getting better at it.

It’s a far cry from what I term the “hippy safari park” that the veteran UK festivals serve up today. Having long since peaked and now deliver merely a tourist attraction. By comparison, these have lost the sense the progression and breaking boundaries, which has given way to a package experience.

The sense of wonder I experienced at Fusion was compounded by my feeling part of a Mechano playground, on a human scale. Everything was was moving, revolving and synchronised in beatific precision, as if regulated by a rhythmic, techno, momentous governor, as like that within a well lubricated engine.

Of course this is as much by chance as by design. But somehow a bio-mechanical relationship between human and the machine sets off a chain reaction. Robotic, malleable, graceful and breathtaking audio-visual installations from France, Germany, Netherlands, Switzerland and UK, all perform in unison.

With all of this taking place, I am proud to say that Bassline Circus represented with extreme gusto. One of the most raging venues on site. The DJs and AV crew were relentless and I found it hard at times to pass by the Bigtop in search of new territory. Especially whilst the circus's Class A acrobats, clad in sexy, up-to-the-minute, lycra body suits (swoon) finished off with extreme, constructed, hair-braiding by Bela Edgar Manegan. They took to the air with athletic energy and tons of sultry, urban attitude, that only Brits can seriously pull off. 

The strength and agility on display serves to back up the sense of the body-as-a-machine mentality. This is what physical fine-tuning looks like. I couldn’t help but stare like an addict at their bodies. Sliding seamlessly between single acts to multiple, synchronised displays of humans in free flow, all in time to a high BPM while we pounded the ground with our feet and throwing our faces in the air to catch the action. It's an experience!

Accompanied by a big bar and a clean, dry, level dance floor, an impressive geometric set and some seriously eye-catching light fx, it was absolutely one of the best venues on site, for consistent, high adrenaline action.



















Photo credit: www.jasminbell.com


Next blog: What's hottest at Boomtown Fair.

Tuesday, 3 December 2013

Breaking Convention

It's been a busy month. Ruby SoHo Productions has moved into a new workshop and there's been much activity behind the scenes here at Liberty Towers too. 

I have recently signed Bassline Circus. They "represent the transformation of some of the UK's and Europe's most high profile illegal rave outfits into legitimate organisation." [zoneofthefree.blogspot.co.uk] 

This crew has been producing some of the biggest, baddest, music, dance & circus spaces, over the last 10 years of their history. Born originally of free party culture.

This coming year in 2014, will see an entirely new tour of UK festivals, after rehearsal and debut at Fusion in Germany. Fusion is an electronic music, mutoid inspired arts festival.





Image credit: www.kulturkosmos.de/en


After Eden, have been with me since January and we are about to embark on their first self written and produced public show in Brighton Fringe 2014. 

Brighton Fringe is the largest arts festival in England and comprises a month of live art events and previews. Mostly in theatre, but peppered with comedy, film screenings, scratch nights and the obligatory Brighton pubbing and clubbing scene. A hot bed of emerging creative talent.

We are to produce a grand, debut of high-end, public, circus performance, on an outdoor rig. This set against the iconic architecture of Brighton, as built in the heyday of it's history as a pleasure resort at the turn of the century. 

This is a collaborative working partnership between myself and Brighton Theatrical Director Rikki Tarascas, (One Flew Over the Cuckoos Nest 2001 & The Modernists 2013) and David Downie and Tony Phipps of Impact Artists: Purveyors of circus entertainment to the the International private sector.

The Show:

The show explores the relationship between physical and linguistic expressions of psychological trips. As visited by instigators of the Bohemian Arts Movement, the Romantic Poets, Byron and Shelly whilst on the Grand Tour of Europe. They "cultivated individualism, reverence for the natural world, idealism, physical and emotional passion." [poets.org]

The show follows this culture through to where it inspires the Beat Poets of 1950s San Francisco. These were a "group of writers interested in changing consciousness and defying conventional writing." [poets.org]. These influences then emerge again in the third act, immersed in the illegal Hip Hop culture, which sprung from the Ghettos of the Bronx in the 1970s. Which is "the constantly evolving spirit and consciousness of urban youth that keeps recreating itself in a never-ending cycle. [globalawarenessthroughiphopculture]

The ethos is for physical performance, live music and live literature performances to express the archetypal, collective, consciousness experience that regenerates and recurs from divergent cultures and upcoming generations of the creative world.

Be sure to come back for rolling updates on forthcoming work.

Please get in touch if you would like any more detailed information:
www.facebook.com/libertyrockspr


Further Info:
Bassline Circus:

Fusion Festival:

“A Brief Guide to Romanticism”:




"Archetypes in Literature":

"A Brief Guide to the Beat Poets":

Bohemian era:

"What is Hip Hop Culture":